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Showing posts with the label spirit photography

Anthropology's Seen and Unseen

In 1866, Alfred Russel Wallace sent a breathless letter to his friend and colleague, Thomas Huxley, inviting Huxley to join him in exploring a “new branch of anthropology”: Spiritualism. Based on the explosive growth in seances in Europe and North America, Spiritualism conjured a world beyond the grave where the dead continued to learn and improve themselves while enjoying each’s ghostly society. When the dead deigned to visit the living, it was typically to help and to advise: “this haunting could teach the living how to build a more perfect society in the here-and-now” (Forbes 2016: 445). So, for Wallace, this really was a new direction for the field–an inquiry into the unseen and, simultaneously, into a future that awaited humanity, both in the afterlife and in the perfection of human life on this planet.   To give away the ending, Wallace was not successful in establishing his “new branch of anthropology.” Huxley wasn’t buying it, and other anthropological...

Ghostly Encounters on Google: Spirit Photography, Reverse Image Search and Urban Critique in Baltimore

In 1866, Alfred Russell Wallace proclaimed a “new branch of anthropology” premised on the Spiritualist movement that was then exploding in popularity in England. For Wallace, that anthropology would revolve around a growing body of highly disputed evidence of life after death. While séances were one major site for the evidence of spirits, other technologies were also important to the new religion, including spirit photography, where ghostly figures or more amorphous, ectoplasmic emanations would appear in photographs next to (living) humans sitting for their portraits. Although these photographs brought solace to those missing their loved ones, they were also windows onto a future utopia; after all, the afterlife was a place where humans would continue to grow and develop into more perfect beings, beings who had come back to help guide their still living compatriots. While these photos appear to us today to be clumsy double exposures, they suggest—along with their twentieth-centur...