All Tomorrow's Cultures

Wired magazine - mostly hagiographies of silicon valley entrepreneurs - capitalist porn - vague reassurances for the future from the uber-wealthy.  500 dollar headphones.   The Senior Associate Editor Jason Kehe was "weary with dystopian prediction of nefarious robots taking jobs from humans," so he challenged seven sf writers to "imagine a world in which the gig economy and automation have redefined the daily grind" (7).   The results?  A collection of stories--"T he Next25 Years: What'll We Do? "--from a stellar group of writers: Laurie Penny, Ken Liu, Charles Yu, Charlie Janes Anders, Nisi Shawl, Adam Rogers and Martha Wells.  And only one killer robot (from Martha Wells) which, to be fair, isn’t killing anyone.   But there's still much here that is dystopian.   But from the next 25 years?   Of course, these aren't futurist prognostications; like any good sf, they’re descriptions of our present--dystopian enough.  Or, a...

The robot-gone-awry has been a theme in literature and popular culture from at least Goethe. The 20th century variant generally revolves around advances in robotic technologies that lead to robots displacing humans altogether--basically the Braverman thesis (after Harry Braverman) followed to its natural asymptote. But can the same thing be said of other kinds of non-human agents? I mean--not the anthropomorphic robots produced by various research groups to simulate human feelings, speech, perceptions or cognition, but those agents that swarm in and out of our lives as vaguely intelligent, vaguely autonomous search engines, routers, global positionings, spyware, etc. What about these? The difference between these and more anthropomorphic agents is in a way similar to what Andy Clark (in Natural Born Cyborgs ) terms "transparent" versus "opaque" technologies: A transparent technology is a technology that is so well fitted to, and integrated with, our own lives, ...