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The Polygenism of Science Fiction

I just finished reading Ben Bova's Mars Life , largely because of its enigmatic dedication to the former polygenist, Carleton S. Coon. Coon was the last of a long, if disgraced, line of anthropologists at Harvard who promoted the "American school"--the idea that races evolved separately. Needless to say, these theories, long superseded by data in population genetics, were utilized to justify any number of racist policies, including (but not just limited to) slavery in the US and apartheid in South Africa. The anthropologist in Bova's novel, Carter Carleton, seems to embody what I imagine Coon to have been like--curmudgeony and atavistic (he, of course, may not have been). Pace the general characterization of anthropologists in fiction, he's a sexual brute; falsely accused of rape on Earth, he is nevertheless aggressive in his attempts to bed women he meets on Mars--the male version of the sexualized female anthropologist stereotype based on Margaret Mead. Thoroug...

On the Trail of Emergence

As the Python sketch said long, long ago: "Nobody expects the Spanish Inquisition!" By definition, future forms and practices will be unexpected, i.e., inexplicable from our perspective now. One reason--technologies, behaviors, ideas, social relationships will combine in unforeseen ways and result in some novel assemblage. This semester, we're on the trails of these sites of emergence in my "information age cultures" class as we plumb the depths of information and communication technologies (ICTs) in East Asia. By looking at the flow of new technologies and concomitant social practices in Korea, Japan and China, we can, perhaps, tease out (yet not predict) the emergence of new forms in the U.S. It's not that U.S. practice will ineluctably follow on the tails of East Asia (although this has often been the case), it's that those different social and cultural perspectives suggest the possibility of future differences here . . . Anyway: check out our messy, ...

The End of the Free Market, and the Future of Culture

In the New York Times on Friday (10/24), a really astounding admonition by Alan Greenspan, looking a bit like a drunk on the morning after: "Greenspan admitted that he had put too much faith in the self-correcting power of free markets" (A1). Although we're supposed to take this as his belated indictment of mortgage-backed securities, I see it as a much more sweeping confession: that, far from describing some objective, underlying reality to which the rest of us non-economists should concede, the "free market" is not some fact of nature circumscribed by Netwonian law, but an amalgam of greedy institutions acting in concert with government to expropriate wealth from the rest of us. Greenspan's contrition should lead us to a cascade of revelations--perhaps austerity measures and free market propaganda foisted onto developing nations weren't such great ideas? Perhaps the derivatives-led interpenetration of global finance isn't the inevitable fate of an ...

Future Baltimore!

It's pretty hard to imagine a more Gothic city than Baltimore (in the literary sense). You've got the Faulkner-esque kind of gothic with over-grown gardens, crumbling shacks, shambling, sclerotic citizens. And also the northern gothic--shuttered factories, menacing turrets on decrepit mansions, etc. It is no particular wonder why Baltimore is often the preferred mise-en-scene for mystery novels. But it's harder to envision a futuristic Baltimore. The usual urban boosters (e.g., Live Baltimore , The Urbanite ) do their best, but I don't know of any sf novel set in the city--even cyberpunk dystopias of the near future seem to have passed us by. Still, I would like to try to evoke stochastic, interesting futures for my city. Back in the 1950s and 1960s, Margaret Mead often theorized about the ingredients of the creative city—the institutions that she thought might stimulate what she called “emergent clusters”. But the point to her analysis—and to what I think today—...

robots and agents

The robot-gone-awry has been a theme in literature and popular culture from at least Goethe. The 20th century variant generally revolves around advances in robotic technologies that lead to robots displacing humans altogether--basically the Braverman thesis (after Harry Braverman) followed to its natural asymptote. But can the same thing be said of other kinds of non-human agents? I mean--not the anthropomorphic robots produced by various research groups to simulate human feelings, speech, perceptions or cognition, but those agents that swarm in and out of our lives as vaguely intelligent, vaguely autonomous search engines, routers, global positionings, spyware, etc. What about these? The difference between these and more anthropomorphic agents is in a way similar to what Andy Clark (in Natural Born Cyborgs ) terms "transparent" versus "opaque" technologies: A transparent technology is a technology that is so well fitted to, and integrated with, our own lives, ...

M. John Harrison

I just finished M. John Harrison's Light (2002)--that novel, as well as those of Gaiman, Egan, and other contemporary, SF authors, seems to revolve around the question of postmodernity in the quantum universe. That is to say, it combines contemporary cosmology with the vertiginous technologies that are ultimately construed as transformative of the human. And yet, like so much in sf, this isn't so much of a prediction as an ironic gloss on information technologies that, far from emancipating us from both corporeality and parochial indentity, seem to immobilize us both physically (with whole generations of Americans captive to the television) as well as mentally (the strong resurgence of knee-jerk ethnocentrism and know-nothing jingoism). If only our products could allow us to escape from our Newtonian world into a quantum universe! But--shopping's not going to lead us to the revolution, right?

Manufacturing the Alien

I've been thinking on and off about aliens these days. One of the reasons must be because I'm on the CONTACT! listserve, which is fairly choc-a-block with speculations on Earth-like planets in other solar systems. The other has to with my research on other "aliens," those non-human agents that are more and more part of our everyday life. Of course, it's odd to think about these "agents" (software or hardware) as "aliens" at all, but this is exactly what Morton Klass did in a 1983 essay of his I just re-read, "The Artificial Agent: Transformations of the Robot in Science Fiction" (Annals of the American Academy of Political and Social Science 470 (171-179)). Klass spent much of his career as Professor of Anthropology at Barnard College (Columbia University). But his early career was one saturated in science fiction. As the brother of William Tenn (aka Phillip Klass), Morton Klass contributed several sf stories in the 1950s and early...